Enough Said

$2,200.00
  • Size (h w d): 48 x 36 x 2 in

  • Medium: Acrylic Mixed Media on Canvas

  • Subject Matter: Abstract

  • Type: Painting

  • Price $2,200

This abstract work moves through tension and resolve, holding space for what rises when we choose to be heard. Built from layered washes of cool grays and blues, the surface carries the residue of hesitation, revision, and return. Drips, scrapes, and ghosted marks suggest the noise that often surrounds our own voice, while saturated blocks of ochre and a charged red form act as anchors of clarity and conviction.

The vertical black lines pull the eye downward like gravity, echoing the weight of doubt or outside pressure, yet the composition refuses collapse. Instead, the brighter passages assert presence, insisting on visibility against the haze. Gestural writing and partially buried marks hint at language forming and reforming, the process of speaking through uncertainty rather than waiting for perfect certainty.

At its core, the piece explores the push and pull between restraint and declaration. It is a visual record of moving through resistance, responding to what is already present, and allowing the work, and the self, to come forward with honesty.

  • Size (h w d): 48 x 36 x 2 in

  • Medium: Acrylic Mixed Media on Canvas

  • Subject Matter: Abstract

  • Type: Painting

  • Price $2,200

This abstract work moves through tension and resolve, holding space for what rises when we choose to be heard. Built from layered washes of cool grays and blues, the surface carries the residue of hesitation, revision, and return. Drips, scrapes, and ghosted marks suggest the noise that often surrounds our own voice, while saturated blocks of ochre and a charged red form act as anchors of clarity and conviction.

The vertical black lines pull the eye downward like gravity, echoing the weight of doubt or outside pressure, yet the composition refuses collapse. Instead, the brighter passages assert presence, insisting on visibility against the haze. Gestural writing and partially buried marks hint at language forming and reforming, the process of speaking through uncertainty rather than waiting for perfect certainty.

At its core, the piece explores the push and pull between restraint and declaration. It is a visual record of moving through resistance, responding to what is already present, and allowing the work, and the self, to come forward with honesty.